But this is a short, calm, gently screwy homage to one of the sweetest and best-loved children’s characters of all time that respects Pooh’s original source material - AA Milne’s wonderful books.Įven when the original “ Pirates of the Caribbean ” movies weren’t working, they were still admirably weird. It’s admittedly for very young children, and some adults who grew up with previous Disney Pooh films were apparently disappointed that this wasn’t quite as, well, Disneyfied. But Disney’s hand-animated “Winnie the Pooh” from directors Don Hall and Stephen J Anderson evokes simpler times with charm and wit and even -gasp!- suggests the pleasures of reading, with the characters interacting with text on the page in a continually inventive way. It perhaps doesn’t stand with the early ’90s late golden age of Disney, but it’s a wonderfully weird and enormously satisfying film.Įvery generation feels a sense that the children of today are missing out on some vital part of childhood due to the technological advancements of modern life (right back to the first Neolithic Dad who shook his head sadly at his son’s use of those new-fangled bronze tools).
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But the major shining light (along with “ The Emperor’s New Groove,” which is admirably Chuck Jones-esque) was “Lilo & Stitch.” It’s a riff on “ E.T.” on the surface -eccentric young girl befriends intergalactic runaway- but directors Chris Sanders and Dean DeBlois (who’d go on to make “ How To Train Your Dragon”) make it sing through specificity: the delirious mischief of the adorably psychotic Stitch, the gorgeously realized Hawaiian setting, and the surprising pathos of Lilo and her older sister, who are being investigated by social services. The late ’90s and early ’00s were a bleak time for Disney animation: that pre-“ Frozen ” era paid almost nothing off at the box office, in large part because films like “ Brother Bear” and “ Home On The Range” were extremely poor.
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'White Noise': All the Details on Noah Baumbach's Film Starring Adam Driver and Greta Gerwig Pixar's 'Lightyear' Is from Animation's Most Lucrative Franchise, So Why the Lowball Projections? And if you want more of the best films since 2000, you can check out our feature on the best horror movies of the 21st century here.Īs 'Lightyear' Sputters at the Box Office, Where Should Pixar Go Next? But like many of the films listed below have taught us, we’re going to be brave, follow our dreams and find inner reserves of strength and goodness to face whatever life and the commenters throw at us, as we take you on this trip through our 25 favorite animated features of the 21st century. The sheer breadth of choice we have, and the extremely subjective nature of the beast (one viewer’s pretty is another viewer’s twee) means that we’re fully confident that this ranking will inspire its fair share of rage/accusations of bias as well. All these factors combine to provide a mainstream and arthouse filmmaking landscape that’s friendlier toward a more diverse range of animation styles and subjects than ever before. The last fifteen years have seen the animation industry undergo huge upheavals, from the titanic union of old-school giant Disney with beloved game-changer Pixar, to the rise to international and Oscar-winning glory of the extraordinary Studio Ghibli (and its imminent dissolution), to the massive leap in quality made by the likes of DreamWorks and other up-and-comers.